{"id":88,"date":"2025-12-09T11:13:00","date_gmt":"2025-12-09T11:13:00","guid":{"rendered":"http:\/\/paulaperezroda.com\/?p=88"},"modified":"2026-08-14T11:50:01","modified_gmt":"2026-08-14T11:50:01","slug":"la-epica-de-un-futuro-decrecentista-o-yung-beef-como-lirica-y-memoria","status":"publish","type":"post","link":"https:\/\/paulaperezroda.com\/es\/la-epica-de-un-futuro-decrecentista-o-yung-beef-como-lirica-y-memoria\/","title":{"rendered":"La \u00e9pica de un futuro decrecentista o Yung Beef como\u00a0l\u00edrica y\u00a0memoria"},"content":{"rendered":"<figure class=\"wp-block-image size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"http:\/\/paulaperezroda.com\/wp-content\/uploads\/2026\/08\/Nueve-cantares-683x1024.jpg\" alt=\"\" class=\"wp-image-89\" style=\"border-width:1px;width:118px;height:auto\" srcset=\"https:\/\/paulaperezroda.com\/wp-content\/uploads\/2026\/08\/Nueve-cantares-683x1024.jpg 683w, https:\/\/paulaperezroda.com\/wp-content\/uploads\/2026\/08\/Nueve-cantares-200x300.jpg 200w, https:\/\/paulaperezroda.com\/wp-content\/uploads\/2026\/08\/Nueve-cantares-768x1152.jpg 768w, https:\/\/paulaperezroda.com\/wp-content\/uploads\/2026\/08\/Nueve-cantares.jpg 1000w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Rese\u00f1a de <em>Nueve cantares para Yung Beef<\/em><br>Manuela Buriel<br>Barcelona, H&amp;O Editores, 2024<br>140 p\u00e1gs<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despu\u00e9s de a\u00f1os de debates y grescas en torno a la idoneidad del t\u00e9rmino \u00abtrap\u00bb en el contexto musical y cultural espa\u00f1ol,\u2026<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-small-font-size has-custom-font-size wp-element-button\" href=\"https:\/\/www.revistadelibros.com\/la-epica-de-un-futuro-decrecentista-o-yung-beef-como-lirica-y-memoria\/\">Leer texto completo en revistadelibros.com<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Rese\u00f1a de Nueve cantares para Yung BeefManuela BurielBarcelona, H&amp;O Editores, 2024140 p\u00e1gs Despu\u00e9s de a\u00f1os de debates y grescas en torno a la idoneidad del t\u00e9rmino \u00abtrap\u00bb en el contexto musical y cultural espa\u00f1ol,\u2026<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,8],"tags":[],"class_list":["post-88","post","type-post","status-publish","format-standard","hentry","category-essays-media-based-public-writing","category-news-events"],"_links":{"self":[{"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/posts\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":3,"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/posts\/88\/revisions"}],"predecessor-version":[{"id":147,"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/posts\/88\/revisions\/147"}],"wp:attachment":[{"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/media?parent=88"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/categories?post=88"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paulaperezroda.com\/es\/wp-json\/wp\/v2\/tags?post=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}